Lad\u00edme krosn\u00e1 (stav) a na\u0165ahujeme osnovu \u2013 neromantick\u00e9, ale potrebn\u00e9
Ak by som bola hudobn\u00edkom a hrala by som na husle, povedala by som, \u017ee husle treba naladi\u0165. Aj stav (krosn\u00e1) treba ale na tkanie pripravi\u0165, dalo by sa teda poveda\u0165, \u017ee naladi\u0165 na t\u00fa spr\u00e1vnu n\u00f4tu (osnovu). Sp\u00f4sob ak\u00fdm sa to rob\u00ed, z\u00e1le\u017e\u00ed od toho, ak\u00fd stav m\u00e1te. Ja pou\u017e\u00edvam doma star\u00e9 krosn\u00e1, p\u00f4vodne boli 2-4 nitelnicov\u00e9, ale v s\u00fa\u010dasnosti s\u00fa u\u017e viac rokov preroben\u00e9 na 8 nitelnicov\u00e9, s mo\u017enos\u0165ou prida\u0165 e\u0161te 2 nitelnice. Syst\u00e9m countermarch. Nov\u00fd stav je zase dobby, a t\u00fdm p\u00e1dom je jeho nastavenie op\u00e4\u0165 in\u00e9. Star\u0161\u00ed stav treba nastavi\u0165 na ped\u00e1loch spr\u00e1vnym uchyten\u00edm, \u010do zaber\u00e1 samozrejme \u010das. Treba by\u0165 pri tom ve\u013emi presn\u00fd. Najmen\u0161ia nepresnos\u0165 sp\u00f4sob\u00ed, \u017ee sa nebude dobre tka\u0165, \u017ee bude vznika\u0165 viac ch\u00fdb, alebo \u017ee sa nebude da\u0165 tka\u0165 v\u00f4bec. Toto nastavenie sa rob\u00ed pred ka\u017edou osnovou, preto\u017ee ka\u017ed\u00e1 osnova m\u00e1 in\u00fd vzor, in\u00fa v\u00e4zbu. Ak sa tk\u00e1 semicustom s pozmenen\u00fdm vzorom, je potrebn\u00e9 toto nastavenie op\u00e4\u0165zmeni\u0165. Toto nastavenie teda zaru\u010d\u00ed, \u017ee pri stla\u010den\u00ed ped\u00e1lu sa zdvihn\u00fa tie spr\u00e1vne nitelnice (a kombin\u00e1ciou zdv\u00edhania a klesania niteln\u00edc postupne vznikal na tkanine vzor). Nov\u00fd dobby stav m\u00e1 toto nastavenie jednoduch\u0161ie, \u010dasovo nen\u00e1ro\u010dn\u00e9. T\u00fato \u010das\u0165 toti\u017e obsluhuje po\u010d\u00edta\u010d. Do neho nahr\u00e1m vzor a ped\u00e1le m\u00e1m dva, av\u0161ak tieto dva nahradia tak\u00e9 mno\u017estvo ped\u00e1lov, ako len budem potrebova\u0165, tak\u017ee v tomto smere u\u017e nie som obmedzovan\u00e1. Ostatn\u00e9 \u00fakony s\u00fa ale \u010falej rovnak\u00e9. Do brda skrz hrebe\u0148 (paprsek) zav\u00e1dzame nitky jednu po druhej, potom ich prevliekame cez nitenky v nitelniciach (listoch)… treba d\u00e1va\u0165 extr\u00e9mny pozor… pod\u013ea zlo\u017eitosti vzoru je aj t\u00e1to \u010das\u0165 r\u00f4zne n\u00e1ro\u010dn\u00e1… k\u00fdm niektor\u00e9 vzory maj\u00fa postupnost 1-8 a op\u00e4\u0165 sa sekvencia opakuje, in\u00e9 vzory si \u010d\u00edsla niteniek v nitelniciach prehadzuj\u00fa medzi sebou aj 200x k\u00fdm pr\u00edde k zopakovaniu vzoru… v\u017edy plat\u00ed, \u017ee nitky musia \u00eds\u0165 presne za sebou. Jedin\u00e1 chybi\u010dka by znamenala, \u017ee niekde nitka neklesne alebo sa nezdvihne, nebude pracova\u0165 spr\u00e1vne, \u010do by ste ve\u013emi r\u00fdchlo zbadali, preto\u017ee pozd\u013a\u017e celej \u0161atky by bola viditeln\u00e1 chyba, ale toto tk\u00e1\u010d r\u00fdchlo zist\u00ed, preto\u017ee takto by sa mu rozhodne dobre netkalo. Potom e\u0161te mal\u00e9 \u010d\u00e1ry-m\u00e1ry, nech je osnova kr\u00e1sne rovnomerne napnut\u00e1 a nech tak\u00e1 ost\u00e1va po cel\u00fa dobu tkania, na za\u010diatku rovnako ako na \u00faplnom konci a m\u00f4\u017ee sa nato\u010di\u0165 na valec… potom priviaza\u0165 na predn\u00fd valec, poriadne napn\u00fa\u0165 a navin\u00fa\u0165 cievku do \u010dlnku… Prich\u00e1dza \u010dere\u0161ni\u010dka na torte \u2013 tkanie samotn\u00e9… <\/p>\n","protected":false},"excerpt":{"rendered":"
Lad\u00edme krosn\u00e1 (stav) a na\u0165ahujeme osnovu \u2013 neromantick\u00e9, ale potrebn\u00e9Ak by som bola hudobn\u00edkom a hrala by som na husle, povedala by som, \u017ee husle treba naladi\u0165. Aj stav (krosn\u00e1) treba ale na tkanie pripravi\u0165, dalo by sa teda poveda\u0165, \u017ee naladi\u0165 na t\u00fa spr\u00e1vnu n\u00f4tu (osnovu). Sp\u00f4sob ak\u00fdm sa to rob\u00ed, z\u00e1le\u017e\u00ed od toho, ak\u00fd … <\/p>\n","protected":false},"author":1,"featured_media":601,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","_links_to":"","_links_to_target":""},"categories":[73],"tags":[],"jetpack_featured_media_url":"https:\/\/www.elka-handwoven.eu\/wp-content\/uploads\/2021\/01\/foto-k-casti-5.jpg","_links":{"self":[{"href":"https:\/\/www.elka-handwoven.eu\/index.php\/wp-json\/wp\/v2\/posts\/600"}],"collection":[{"href":"https:\/\/www.elka-handwoven.eu\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.elka-handwoven.eu\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.elka-handwoven.eu\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.elka-handwoven.eu\/index.php\/wp-json\/wp\/v2\/comments?post=600"}],"version-history":[{"count":2,"href":"https:\/\/www.elka-handwoven.eu\/index.php\/wp-json\/wp\/v2\/posts\/600\/revisions"}],"predecessor-version":[{"id":603,"href":"https:\/\/www.elka-handwoven.eu\/index.php\/wp-json\/wp\/v2\/posts\/600\/revisions\/603"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.elka-handwoven.eu\/index.php\/wp-json\/wp\/v2\/media\/601"}],"wp:attachment":[{"href":"https:\/\/www.elka-handwoven.eu\/index.php\/wp-json\/wp\/v2\/media?parent=600"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.elka-handwoven.eu\/index.php\/wp-json\/wp\/v2\/categories?post=600"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.elka-handwoven.eu\/index.php\/wp-json\/wp\/v2\/tags?post=600"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}